久久亚洲国产成人影院-久久亚洲国产的中文-久久亚洲国产高清-久久亚洲国产精品-亚洲图片偷拍自拍-亚洲图色视频

Global EditionASIA 中文雙語Fran?ais
Culture
Home / Culture / Film and TV

Putting the director in the frame

By Yang Yang | China Daily | Updated: 2021-06-03 07:21
Share
Share - WeChat
A still from director Jia Zhangke's films A Touch of Sin. [Photo provided to China Daily]

For the writer, there is also a personal reason.

"No matter how many times I visit China, part of my own imagination of 'China' is still deeply tied to the indelible memories from my student days in Nanjing during the early 1990s. Jia's early films, which are also a product of that era somehow were best able to capture the rhythm of life during that unforgettable era," Berry says.

"In those films, Jia was able to single-handedly create some of the most memorable characters in contemporary film (like Xiao Wu and Cui Mingliang), reframe our understanding of realism in Chinese cinema, bring our attention to marginalized figures and locations, offer a deep meditation on the impact of radical social change, and create a new cinematic language," he says.

Growing up in suburban New Jersey in the 1970s, Berry occasionally saw old Chinese kung fu movies on television on Saturday mornings. However, when he was attending graduate school at Columbia University, where his original focus was contemporary Chinese literature, he started watching more Chinese films.

Later, he took courses at the Columbia University's film school with teachers like Richard Pena and James Schamus, the latter of which was Ang Lee's producer and screenwriter.

"Gradually, Chinese cinema became one of the primary aspects of my research," says Berry, who's now director of the UCLA Center for Chinese Studies.

From 1998 to 2003, Berry often served as an interpreter for Chinese filmmakers and writers, such as Mo Yan, Su Tong, Zhang Yimou, Tian Zhuangzhuang and Jia.

While many other established Chinese filmmakers have embraced commercial films, Jia continues making art films, using the medium to raise difficult questions and often explores the possibility of new cinematic forms, Berry writes in the introduction of the book.

"Jia is one of the only directors from that period that has continued for the past 20 years to stay true to his early uncompromising artistic spirit. While others have slowed down, dropped out, or turned commercial, Jia continues to follow a path of artistic innovation," Berry says.

|<< Previous 1 2 3 4 5 Next   >>|
Most Popular
Top
BACK TO THE TOP
English
Copyright 1995 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
License for publishing multimedia online 0108263

Registration Number: 130349
FOLLOW US
主站蜘蛛池模板: 波多野吉衣 免费一区 | 欧美一级毛片特黄黄 | 在线第一页 | 久草在线免费福利视频 | 欧美日韩一区在线观看 | 日本天堂在线视频 | 精品成人在线 | 黄色毛片在线 | 欧美一级特黄做 | 老司机亚洲精品影院 | 亚洲国产综合久久精品 | 萌白酱粉嫩jk福利视频在线观看 | 日韩免费一级a毛片在线播放一级 | 麻豆国产96在线 | 日韩 | 亚洲综合色就色手机在线观看 | 免费中国一级啪啪片 | 亚洲一区二区三区高清网 | 国产精品亚洲一区二区在线观看 | 黄色网址网站在线观看 | 亚洲国产成人久久午夜 | 成人毛片在线观看 | 欧美日韩一区二区三在线 | 亚洲国产高清人在线 | 另类视频区第一页 | 一级毛片不卡 | 亚洲精品中文字幕一区 | 午夜香蕉成视频人网站高清版 | 自拍偷拍视频在线观看 | 欧美三级aaa | 免费看成人片 | 成人黄色在线视频 | 国产不卡影院 | 日韩精品国产一区 | 国产或人精品日本亚洲77美色 | 手机亚洲第一页 | 欧美高清另类自拍视频在线看 | 国产综合精品一区二区 | 亚洲精品亚洲人成毛片不卡 | 刺激免费视频 | 手机免费在线看毛片 | 国产精品成人免费 |