Last but certainly not the least of her dreams regarding the HKAPA's future is to see it shape up into a bridge between East and West — a tangible, physical entity embodying the idea set down in the 14th National Five-Year Plan (2021-25) to develop Hong Kong into an East-meets-West center for international cultural exchanges.

"I think the core strength of the academy is similar to that of Hong Kong's," says Chan. "Both function as a bridge facilitating cultural exchanges between China and the rest of the world. For the past 40 years, we have been developing the environment necessary for such exchanges to take place."

She points out that several among the HKAPA's faculty members are Hong Kong natives who have spent many years abroad, while those from other countries have made Hong Kong their home. "So this kind of internationalization of the institution is already in place, and we would like international festivals and production houses to understand that we can serve as a gateway for them to explore Chinese culture."

There is a tinge of regret in her voice about missing out on the chance to interact with her School of Dance students on a daily basis, now that she is responsible for all six schools of the HKAPA.

"I think a director needs to act like the captain of a ship — setting the anchor and making sure that the pathway is clear and at the same time trusting her teams to perform well in their respective areas of expertise," Chan says. "It's important that we all face in the same direction. I am hoping that we are able to develop a much stronger and unique identity for the academy that meets our future needs."