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Brush with fame

(China Daily)
Updated: 2010-11-09 06:44
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Born in Changshu, Jiangsu province in 1948, Yan was a student of famed calligraphers Sha Manweng and Song Wenzhi, whose instruction helped him master a number of styles including cursive hand and seal cutting.

He also has a good command of painting.

His works were displayed at the National Calligraphy and Seal Cutting Exhibition from its second to ninth sessions as well as at numerous other national exhibitions and international shows, where many times his work was awarded first prize.

Brush with fameHe is one of the nation's first-class artists and experts who receive a special subsidy from the State Council.

Yan's works are collected by enthusiasts in Japan, South Korea, Singapore, Brazil, Canada, the United States, France and the Philippines, as well as aficionados in China's Hong Kong, Macao and Taiwan regions.

More than 100 mainland museums and galleries, including the National Art Museum of China and the Great Hall of the People, have displayed his creations.

He is a member of the National Committee of the Chinese People's Political Consultation Conference (CPPCC), vice-president of China Calligraphers Association, vice-president of Jiangsu Federation of Literary and Art Circles and Jiangsu Calligraphers Association. He is also a professor of Nanjing University and Southeast University.

As a member of the Standing Committee of the CPPCC, Yan proposed new regulations to encourage charity in the nation.

Brush with fame

Brush with fame

Art of soul

"Calligraphy is an art of the soul," Yan said about China's most renowned masterpieces.

"With elegant and simple strokes, Preface to the Orchid Pavilion Collections by Wang Xizhi in the Eastern Jin Dynasty (317-420), is a demonstration of the writer's pursuit of a peaceful, simple and natural life," he notes. "In Funeral Oration to My Deceased Nephew by Tang Dynasty (618-907) master Yan Zhenqin, overwhelming sorrow can be felt with his strokes that are said to penetrate the paper."

(China Daily 11/09/2010 page7)

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