久久亚洲国产成人影院-久久亚洲国产的中文-久久亚洲国产高清-久久亚洲国产精品-亚洲图片偷拍自拍-亚洲图色视频

   
 
Zhai Xin, a calligraphy master with special ip views
By Tommy Zhang, Kevin Nie
Updated: 2011-12-28

Zhai Xin, master of Chinese calligraphy, always gives people a down-to-earth atmosphere, which differentiates himself from the refine literati like Fan Zeng, whose distinct designation goes to Tang suit, or the idiosyncratic artists labeled with cocktails. He wears shirts and suit pants and speaks a pure northeastern accent. However, his simple appearance seems hard to cover his eminence.

Different from any other calligrapher, Zhai Xin was born in a peasant household in Heilongjiang Province, rather than a scholarly family. The land of black soil has witnessed many of his early growing memories. When he was nine, an aged traditional Chinese medicine enlightened him with calligraphy. From then on, he devoted his all to the art. After years of industrious practice under the guidance of his calligraphy teacher, Zhang Zhenzhong, he has primarily shaped up his calligraphy style in Grade Five. At such a young age, Zhai Xin wrote all the slogans in his village, making himself a crackerjack in the nearing households. As a super fan of Chairman Mao, Zhai Xin had concentrated on imitating the Mao Characters.

Zhai Xin holds a unique point of view on the intellectual property of artworks. He welcomes all kinds of imitation, even though some people may sell these imitating copies under his name. His attitude towards artwork IPR seems a little inopportune when more and more artists emphasize on the subject. "Those copies are bread and butter for some people," Zhai Xin said with a smile at the interview, "I was poor years ago. I should not cut off others' livelihood." He further expressed that he always regarded himself as the artist of the people.

As for copyright issues of artworks, Zhai Xin also has distinct views. He said, "There are many ways to achieve a considerable copyright value out of artworks. We may authorize our painting and calligraphy works to certain manufacturers, who will then print these works onto the packages of up-market goods, or produce artworks of other kinds. We can not only promote the tastes of the products, but also gain considerable rewards. So it seems a little elementary and inefficient to obtain economic payment solely on fighting against counterfeit goods."

In the age of information, how should artists see art creation? Zhai Xin answered, "The age of Internet requires transparency in everything. Artists must dare to put their works online to receive the judgment of the public. Of course, we artists must treat our work more seriously and more passionately."

As an active promoter of the traditional Chinese culture, Zhai Xin always said that a small writing brush changed his whole life. He was qualified for Jilin University in the mid 1970s, majoring philosophy, and was assigned with a position in the newspaper Northeast Asia Economy and finally made his way to the executive president of The Man of the Day magazine. No matter where he was, he has never stopped studying and improving his skills. Zhai Xin is especially good at the grass writing of "Mao Style", which is granted with the name of "the King of Wild Grass Writing" by the calligraphy circle. Many of Zhai Xin's works have been displayed in international exhibitions. In 2010, one of his calligraphy works was sent to the UN headquarters as the representation of Chinese calligraphy.

Zhai Xin, a calligraphy master with special ip views
Zhai Xin

When it comes to the intellectual property of artwork, Zhai Xin welcomes others' copy his works. He even finds it acceptable if people fake his name to sell copies of his works. It seems a little inappropriate under today's circumstances where more and more artists see the artwork IP as a significant issue concerning their interests.

Zhai Xin has his logic. Artists' reasonable rights on their works should be fully respected, while the public demand of artworks must be given consideration, too. "Therefore, we artists cannot invariably emphasize on personal rights, but also keep in mind that we are artists of the people." Zhai Xin once said.

Zhai Xin sees the copyright issues differently, too. He once said, "There are many ways to realize the copyright value of artworks. It is of simplistic to obtain incomes solely by cracking down counterfeit goods. I would suggest that they authorize their works to manufacturers. Then their paintings and calligraphy can be printed on the package of upscale products or made into artworks of other kinds. In this way, artists can not only promote the tastes of their works, but acquire a considerable amount of rewards. Several of my works have been printed on folding fans and tea sets through authorization."

Zhai Xin always suggests that people should be better to learn calligraphy. He said, "To inherit our culture, let's take up our writing brushes and affect our family and friends." As an art well reflects the essence of traditional Chinese culture, calligraphy condenses thousands of years of cultural evolution. Zhai Xin regards morality as a crucial factor out of calligraphy works. No noble morality, no good calligraphy, as he constantly emphasizes.

Profile:

Style name: Yan Zhu. Courtesy name: Host of Drunk Moon Hall. Zhai Xin was born in 1955 and his ancestral hometown is Hebei Province. After he graduated from the Department of Philosophy of Jilin University he moved on and Studied in the China Central Academy of Fine Arts twice. He began to learn calligraphy at the age of nine. Artistically his seal style followed Liu Gongquan and Ouyang Xun and his grass style followed Zhang Zhi, Wang Xizhi, Huai Su, Mi Fu, Sun Guoting, Yu Youren and Mao Zedong. He has practiced calligraphy incessantly for 40 years and his works have been displayed in many exhibitions within and without China. He has earned many notable titles such as "International Famous Calligrapher", "World Artists Celebrity", and others. He participated in the International Calligraphy Culture Festival in Singapore as a representative of China in 2005. His works have been collected by many important political leaders in various countries. Beyond paintings his work includes publications such as: China Going to the World, Light of China City Construction, Beauty and Charm of Calligraphy. As the major author, he was the creative source of the "Lovely China" TV series (broadcasted on CCTV-4 International Channel).



Preventing a patent authorization

Are we able to stop our rivals from obtaining authorization of a patent application that we regard as having substantial defects during the substantive examination, given the fact that the rival companies hane already published their patent applications?

The J-Innovation

The future of China & WTO

JETRO: A decade of development in China

The protection of design on printed flat works

主站蜘蛛池模板: 台湾三级香港三级在线理论 | 欧美a级在线观看 | 欧美做爰野外在线视频观看 | 成年人黄视频在线观看 | 国产免费观看a大片的网站 国产免费黄色网址 | 欧美性色生活片天天看99 | 狠狠色狠狠综合久久 | 日韩精品一区二区在线观看 | 在线成人97观看 | 欧美日韩视频一区二区在线观看 | 亚洲一区在线观看视频 | 男人在线天堂 | 欧美亚洲国产成人不卡 | 欧美精品不卡 | 欧美精品网站 | 亚洲经典在线观看 | 国产亚洲视频在线播放大全 | 国产一区亚洲 | 大学生一级一片第一次欧美 | 亚洲成人福利网站 | 日韩 综合 | 国产美女在线一区二区三区 | 欧美亚洲日本韩国一级毛片 | 真实国产乱人伦在线视频播放 | 亚洲欧美日韩综合在线一区二区三区 | 日韩欧美视频一区二区在线观看 | 精品乱人伦一区二区 | 国产日韩亚洲不卡高清在线观看 | 免费欧美在线视频 | 久草视屏 | 免费福利入口在线观看 | 理伦毛片 | 欧美日韩在线观看免费 | 日产毛片| 久艹在线观看视频 | 波多野结衣在线视频免费观看 | 欧美午夜成年片在线观看 | 国产色手机在线观看播放 | 456主播喷水在线观看 | 国产午夜精品不卡观看 | 欧美毛片在线 |